Mina Mina is an extremely important ceremonial site for Napangardiand Napanagka women that is located approximately 600kms west of Yuendumu, just east of Lake Mackay and the WA border. The area has a 'marluri' (salt lake or claypan) that is usually dry, without water. There are also a number of 'mulju' (soakages), sandhills, and a large stand of 'Kurrkara' (desert oaks {Allocasuarina decaisneana}). The Mina Mina Jukurrpa is an important source of Walpiri ritual knowledge and social organisation, particularly relating to the different roles performed y men and women.

The 'kirda' (owners) of this country are Napangardi/Napanangka women and Japangardi/Japanagkaa men, who can depict portions of the Mina Mina Jukurrpa in their paintings. There are a number of different components of the Mina Mina Jukurrpa; artists usually choose to depict one particular aspect. These can include 'karnta' (women) 'karlangu' (digging sticks), 'majardi' (hairstring skirts/tassells), 'ngalyipi' (snakevine {Tinospora Smilacina}), 'jintipartna' (desert truffle {Elderia arenivaga}) and 'kurrkara' (desert oak {Allocasuarina decaisneana}).

The Mina Mina Jukurrpa tells the story of a group of ancestral 'karnta' (women) who travelled from west to east. In the Dreamtime, these ancestral women danced at Mina Mina and 'Karlangu' (digging sticks) rose up out of the ground. They collected these digging sticks and started traveling to the east. They carried their digging sticks over their shoulders and they were adorned with 'majardi' (hairstring belts), white feathers, and necklaces made from 'yinirti' (bean tree [Erythrinavespertilio}) seeds. They continuously anointed themselves with 'minyira' (shiny fat) to increase their ritual powers as they went along. As the women travelled, they were followed by a 'yinkardakurdaku' (spotted nightjar {Eurostopodus argus}) frok the Jakamarra subsection. The bird would call out then hide in the bushes behind them as they travelled.

When the women danced at Mina Mina, they created a large dust cloud that swept up the 'walyankarna' (snake ancestors). The 'walyankarna' had previously transformed themselves from wichetty grubs into snakes at Kunjarrayi (Mount Nicker, 200km southwest of Yuendumu, and they had stopped at Mina Mina to watch the women dance. This dust cloud blew the 'walyankarna' further north to Yaturluyaturlu (near the granites goldmine). In this way, the 'karnta Jukurrpa' (women's Dreaming) and 'ngarlkirdi Jukurrpa' (wichetty grub Dreaming) intersect. This allowed the ancestral women to observe the wichetty grubs and learn how to best locate and cook them, which are skills that Walpiri women still use today.

The women went east from Mina Mina, dancing, digging for bush tucker, and creating many places as they went. As they went east, they passed through Kimayi (a stand of 'kurrkara' (desert oak). they passed through Sandhill country where the 'yarla' (bush potato or 'big yam' {pomea costata} ancestors from Yjmurrpa were engaged in a huge battle over women. This battle is also a very important Walppiri Jukurrpa narrative. The women went on to Janyinki and stopped at Wakakurrku (Mala Bore), where they stuck their digging sticks in the ground. These digging sticks turned into mulga trees, which still grow at Wakakurrku today. The women then went on to Lungkardajarra (Rich Bore), where they looked back towards their country in the west and started to feel homesick for what they'd left behind.

The women split up at Lunkardajagarra. Some of them travelled eastwards to Yarungkanyi (Mount
Doreen), and kept going east. They passed through Coniston in Anmatyerre country and then went on to Alcoota and Aileron and beyond. The other group of women travelled northwards from Lunkardajarra to Karnatakurlangu.
These women stopped at Kartakurlanguto dig for 'wardapi' (sand monitor goanna {varanus gouldi}) and 'jintiparnta' (desert truffle) before going further north. North groups eventually got homesick for their desert oak country in the west that they went all the way back to Mina Mina where the stayed for good.

This Jukurrpa contains important information about the different roles that men and women play in Walpiri culture, particularly the context of ritual performance. It alludes to an earlier time in which their ritual and social roles were reversed, in which the women controlled the sacred objects and weapons that are now exclusively "owned" by men.

In contemporary Walpiri painting, traditional iconography can be used to represent the Jukurrpa, particular sites, and other elements. In painting of the Mina Mina Jukurrpa, sinuous lines are often used to represent 'ngalyipi' (snakevine). Circles and roundels can represent the 'Jintiparnta' (desert truffle)that the women collected as they travelled, and straight lines are used to represent the 'karlangu' (digging sticks). 'Majardi' (hairstring skirts) are represented by wavy lines suspended from a single curved line.